1. |
||||
2. |
Piano intermede 001
04:48
|
|||
3. |
||||
4. |
Piano intermede 003
05:37
|
|||
5. |
||||
6. |
Piano intermede 004
05:37
|
|||
7. |
||||
8. |
Piano intermede 005
02:58
|
|||
9. |
||||
A retreat on the lakeshore
It was patched together, everything crooked. We were waiti for the blue train. When arrived, I did not take it. Because I did not want to follow the passengers. I noticed girls taller than I. When I got retired, I became taller then them, by escalating some steps. I believed that they laughed because because I wore monastic outfit, like them. We were dressed in black, coveredon the head. It did not change anything. It’s not the outfit that made uniform the thinking, nor being anonymous. We had graduated. Thus it was in the head that laughter began. We did not know each other but we thought differently. I stayed there because it made me greater than the train’s staff/employees. The fact of not embark with the others would be a sign of grandeur or wisdom because it avoids lots of problems. The train was going. I began to want to repair plastic clocks. In my head, the more it went, the more I noticed that at the source, the father of a passenger, who remained there, had a bad discourse.
However, the clocks were broken. Another train arrived. When it got empty, my green clocks were docking in the clock’s station. The young auxiliary employee recognized along myself that anyone who could hostage-take time (or take time in hostage) because the train was on the seashore.
When you have the power to change time, it’s the time of others who ajusts to yours. When you are close to a source, you can always plunge in to your occupation, thus you can regain the upper hand on other people’s agenda. The makes you float into the space of a step and you have all the control to stagger over your step. I do not know where this other train was leading as we reported drowning cases. All these people had jeopardized (tried to change) the time of others at their own imperil.
|
||||
10. |
Piano intermede 006
02:58
|
|||
11. |
The Branches' Root Montreal, Québec
Hear now, O Joshua the high priest, thou and thy fellows that sit before thee; for they are men that are a sign; for, behold, I will bring forth My servant the Shoot.- (Zach 3.8 JPS Tanakh 1917) Previous to his studies in Cinema, Alain Daigneault studied Music, Fine Arts and Graphic Design. He now explore theology of healing. ... more
Streaming and Download help
If you like ASMR 2021 - Entrez dans l'épigrâce, you may also like:
Bandcamp Daily your guide to the world of Bandcamp